Peppard's natural hayseed is also a decent guy, and the script prepares us well for scenes that resolve his deep need to be acknowledged by his rotten father. Thankfully, the archive Blu Ray edition beautifully captures the beauty of the original release. It also analyzes reviews to verify trustworthiness. . After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. . Here is the best-yet presentation of Minnelli's masterpiece, as finely pitched a Greek tragedy as has ever been produced for the American screen, with Mitchum's note-perfect performance as its centerpiece. The plot behind this book is actually a true story, but he (my great uncle) did not sleep with his illegitimate son's wife. To preserve these articles as they originally appeared, The Times does not alter, edit or update them. Vincente Minnelli’s direction is rich and satisfying. A young George Peppard and George Hamilton, and fantastic supporting role of Eleanor Parker. Constance FordChauncey . This is one of those productions which showcases the masterful use of widescreen cinematography, lighting, sets and costumes that was consistently found in the major MGM releases of the 50s and early 60s.
Robert Mitchum stars but it is almost a supporting role. .

Now there is brought down front another young man who has been shuffling in the background. Beautifully acted drama introducing 2 future stars, Reviewed in the United States on September 20, 2018. Luana Patten as the young girl, George Hamilton as the legitimate son and George Peppard as the other are a little more restrained, as suits their rank.

Characters, motivations and even the lines of the plot are thoroughly loose and apparently set down without purpose, other than to make for some sordid, violent sequences.A few of these are striking, such as the boar hunt. A young husband tries, indeed, to shoot him in the first few minutes of the film, and a companion remarks with what seems foresight, "It's gonna be open season on you, so Iong as you go poaching on the preserves of love. The production throws a plot rod or two in its final moments, but when it is conclu… THERE must be a point lurking somewhere in Metro-Goldwyn-Mayer's "Home From the Hill," a giant film in CinemaScope and color that came to the Music Hall yesterday. . William Humphrey's novel Home From the Hill is compressed into 150 minutes for this MGM all-starrer. A full-blown melodrama, high-octane in situation and characters, Home from the Hill is like an over-taxed engine.

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