There's something so candid about the chemistry Marie shared with Henrik in a sense that it doesn't feel cheesy at all and is so light yet heavy at the same time for raising the temperature. 9 of 11 people found this review helpful. Actually there is nothing wrong with Summer Interlude as such, it's just that I don't think it is quite on the same level as Ingmar Bergman's very best. View production, box office, & company info. Was this review helpful to you? Every Bergman movie makes me appreciate his genius as a story teller ... this movie has brings the elements of isolation, atheism and profound sadness ... in such great effect. Criterion Collection: Sawdust and Tinsel (1953) | Blu-ray Review, Review: Ingmar Bergman's "Sawdust And Tinsel" (1953); Criterion Blu-ray Special Edition, The Criterion Collection Announces 39-Film Ingmar Bergman Box Set. Perhaps the last reference to him in the film is the saddest bit of all. User Ratings Silence, such as at the doctor's office, is also distributed well throughout. She travels by ferry to an island nearby Stockholm, where she recalls her first love Henrik. And then all of a sudden she is very happy and her boyfriend is very happy. Film data from TMDb. That makes them feel the need to show off and to be something more. Meanwhile, a widow resists seductions from two different persons - her psychiatrist and a lesbian friend. The story still has the dramatic intensity and structural complexity that helps to form the best of Bergman's films. Jul It is perhaps significant that in "Summer Interlude", where he had not quite sorted out his responses to life or the medium in which he was working, the most powerful scene of all is where the ballerina rails at God's silence after her lover has been taken from her and craves for the opportunity to spit at God should he appear. We think of Bergman as frightened and cynical at times, presenting life as a chore with little reward. "We're 28, and the younger girls call us 'ma'am'". Among outstanding film directors there are those who crash in with debut features that show something of the full extent of their talent (Satyajit Ray with "Pather Panchali", Neil Jordan with "Angel" and of course Orson Welles with "Citizen Kane") and those like Ingmar Bergman who creep into the scene with films that are little less than mediocre, but who develop slowly, almost unobtrusively, giving only occasional hints of the glories to come. This was very boring to me, it's one of his earliest films and it shows. It's, I'm sure, an overused staple in Drama or Romance today; here, it is used to great avail, and it is the strongest part of the film. It showed the change that we all live trough the language that is familiar but we do not speak any more, the things in life and the life caught in the walls of self preservation, senselessness and absurd where the only one escape is the ultimate love - the only reality.http://vihrenmitevmovies.blogspot.com/. Most of Summer Interlude takes place 13 years in the past, and watches as Marie and Henrik grow increasingly intoxicated with each other's presence, but there's no escaping knowledge that we are viewing these events from a Marie who's almost twice as old and clearly convinced that her life is awful (she's sunk everything into dance, which has repaid her by breaking her body and forcing her into … You must be a registered user to use the IMDb rating plugin. I like their performance and the narrative of intertwining the romantic moment and the tragic event. Metacritic Reviews. Such a lovely movie, and a wonderful companion piece to Summer with Monika (1953). The ballerina learns from her memories that her life has a continuation, that it is still possible to forge new relationships. She grows deeply in love with. | Sjoberg's direction is impressive with much use of expressionist shadows and angles. She travels by ferry to an island nearby Stockholm, where she recalls her first love Henrik (Birger Malmsten). The last ten minutes of this film are so revealing. - Remembering Ingmar Bergman on his 102nd birth anniversary! Movies: Summer Interlude; Young ballerina Marie meets wealthy college boy Henrik while staying at her Uncle's house. Written by His later stuff is far more interesting than this summer romance movie. Ingmar Bergman truly did a great movie at the beginning in 1950s, preceding the following masterpieces in the film history. Bergman first came to notice as the proficient scriptwriter for Alf Sjoberg's "Hets", a 1944 shocker with echos of "The Blue Angel". Watched Another review I read after seeing it said she had built a wall around herself and after letting her boyfriend read it, she felt like she can undo that wall. We immediately feel this is a film that is demanding to be taken seriously. The film recaptures youth's giddy, carefree, brief love affairs ...and its comeuppance, its consequences in future life. The first masterpiece of the great Swedish master, The first stirrings of an outstanding talent, His Master's (surprisingly youthful) Voice. It seemed to drag out a teeny bit towards the end with her involvement with a newspaper reporter (Alf Kjellin), but I think that allows us to think about what may be behind a person's wariness in life, to compare relationships at an older age, and to see that there is a path to overcoming melancholy. All in all, a lovely film if not quite among Bergman's very best movies. A sailor returns to his hometown after 7 years and remembers the dark and the light moments of his past. Maj-Britt Nilsson as Marie is one of the most ebulliently innocent characters ever on-screen and it's due to her absolute livewire nature in the past, the later scenes involving her grief in the present get very painful to watch as if it's unbelievable that both faces are one and the same. Search for "Summer Interlude" on Amazon.com, Title: His characters are often pathetic and deep. Summer Interlude received positive reviews by critics. 9/10 Bethany Cox. This is where the movie shines; it's profoundly stimulating for me to watch a story where it's unfolding through a period where the character seems to be unable to engage with the world, and with the biggest anthropological study of how, we're treated with it through the turning point at a happier time. The reviews were highly enthusiastic, and it was Bergman's first critical success as a film director. Awards "Kris" is a very two dimensional work that could have been made by almost anyone. | She is selfish and protective of her privacy and consumed by her dance (as she should be). ...Of course, the story (the first part of the film) doesn't meet a "happy ending". Bergman was to regain something of this confident belief in the worthwhile qualities of life in later works like "Cries and Whispers" and "Fanny and Alexander" but not until he had become resigned to rather than angered by God's silence. When an ex-lover's diary is mysteriously delivered to the theatre she is forced deeper into herself, to confront a past she has locked away for the last fifteen years. The two lovers were talking the strange language of love that makes them fool around and boost. Bergman's films are always interesting to look at, and this one is no exception. First things first - All the 4 Bergmans I've watched till now were so heavily drenched in existentialism or religion or God and given the mood, I was in today, I deliberately chose to watch a lighter Bergman and it turned out that even his so-called light film is heavier than many heavy ones out there! External Reviews Anyone who's been in love around that age will know it always remains within you, like a shameful secret, a cherished hurt ("ah, if only I had...") for a long, long time, no matter what turn things take, however successful one can become (the protagonist : a ballerina). it's not the best Bergmanfilm. 14, Made by fans in Auckland, New Zealand. It was so unreal and idealistic that I said to myself - you can see this only in movies. It indicates more clearly than anything else in Bergman's output up to this point the path he was about to take in expressing his dark vision of the world, one in which the conventions of commercial cinema were to have no place. Two different women - a young photo model and her boss - dream about a happy life with beloved men. The story is a little too thin for my tastes and the teen romance gets wearisome, but the photography and acting are exquisite. A bit too little story (maybe that happens when you try to write about something that you experienced firsthand yourself as a 16 year old nerd boy) Best thing about this film is Annalisa Ericsson as a bad ballerina and the dirty rich old man portraid by Georg Funkquist. She is sought after and knows the power she has over men, knowing no fear when it comes to that. This FAQ is empty. "Summer Interlude was my first film in which I felt I was functioning independently, with a style of my own, making a film all on my own." This is represented physically in the difficulty her young lover (the journalist) has in penetrating the theatre foyer at the beginning of the film. From Coraline to ParaNorman check out some of our favorite family-friendly movie picks to watch this Halloween. She lives with a fairly stolid and boring tabloid journalist (David, in a wonderfully understated performance from Alf Kjellin), but doesn't seem terribly invested in their relationship. "Our faces look 45 while our bodies look 18." It's interesting to note that when scripting this film Bergman would not have been much older than his protagonist: the 28 year old Ballet dancer Marie. He also gets a few jabs in at the fragile male ego and creepy behavior in an older "uncle", as well as some nice shots at the ballet. In other places his command is less certain and borders on cliché - when the doomed young man speaks of his premonition of something dark, and indeed the shot of a black cloud a moment after the accident that is to prove fatal. 2020. I would date the emergence of the original Bergman voice from the appearance of "Summer Interlude" in 1951. Maj-Britt Nilsson and Birger Malmsten are touching as the young lovers, told in flashback and with refreshing honesty about the physical side of their relationship.

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