In Sussex in the 1950s, a parade of candidates appears for the job of governess. The director was John Stix. [13], A 1984 British tour of the play starred Eleanor Summerfield as Mrs St Maugham and Nyree Dawn Porter as Miss Madrigal; Ernest Clark was the Judge and Bruce Montague played Maitland.

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Review copy; fine in dust jacket. When these come, the film sparkles briefly beyond the brightness of its Technicolored hues." Amanda Root, however, is equally strong as the mysterious Miss Madrigal. Miss Madrigal, an expert gardener, is hired as a governess, despite her lack of references. Ross Hunter wanted Ingrid Bergman to co-star and had originally sought Gladys Cooper for the role of Mrs. St. Maugham in place of Edith Evans.[4].

She found the play challenging and tantalising – "I am haunted by its gossamer flashes of poetry and beauty" – but lacking in focus. The Chalk Garden. Chapman, John. When Miss Madrigal arrives, Laurel is intrigued by her apparent lack of a past, and tries to investigate who she is and to "expose" her. [14] A revival at the King's Head Theatre, London in 1992 again featured Cummings as Mrs St Maugham, with Jean Marsh as Miss Madrigal and Robert Flemyng as the Judge. [11], The first revival New York was given by the Roundabout Theatre Company at Roundabout Stage 1 from 30 March 1982 to 20 June 1982. In July 1954 she travelled to England to work with Bagnold for six weeks, tightening the play up. [17] In 2018 the Chichester Festival Theatre presented a new production, featuring Penelope Keith (Mrs St Maugham), Amanda Root (Miss Madrigal) and Oliver Ford Davies (Judge). [16], A 2008 production at the Donmar Warehouse, London was directed by Michael Grandage, with Margaret Tyzack as Mrs St Maugham, Penelope Wilton as Miss Madrigal, Felicity Jones as Laurel, and Jamie Glover as Maitland. Instead of running away from this fact once it is revealed, Miss Madrigal uses this painful revelation to convince Laurel and her Grandmother that she was once like Laurel, and that Laurel should leave her Grandmother's toxic environment and go to live with her mother, where she can grow into a better person. With Deborah Kerr, Hayley Mills, John Mills, Edith Evans. Directed by Ronald Neame. FILMMAKER TALKS ABOUT 5 PROJECTS: Hunter, Here in Visit, Tells of MacDonald-Eddy Plan 'Tammy Takes Over' Is Next Joanne Woodward to Star British Film Opens Today 7 Vie for Golden Laurel Albert Lamorisse Visits On the other hand, it's also easy to see why it's a play that has fallen out of fashion. Enid Bagnold (Writer), William Chappell (Director), The Chalk Garden (1971) programme | Haymarket Theatre, London (1). [25] In The Observer, Kenneth Tynan commented that The Chalk Garden "may well be the finest artificial comedy to have flowed from an English (as opposed to an Irish) pen since the death of Congreve. The New York Times wrote, "a GREAT deal of scrupulous cultivation and orderly shaping of the plot have been done to make a film of...Enid Bagnold's eccentric British play...the tangle of its arrangement and the overgrowth of its characters have all been trimmed and weeded by some prudent and skillful hands to make the bright, sweet and aromatic picture that opened at the Music Hall yesterday...Ronald Neame, who has directed the picture, and John Michael Hayes, who has written the script, present us with a cozy, compact drama that follows a comfortable, sentimental line...There are moments, however, when the sharpness of Miss Bagnold's oblique slant on life cuts through, usually in glints of hidden mischief or in lines of slashing paradox and wit. Programme from The Chalk Garden (1971) at the Haymarket Theatre, London (1). Plays similar to or like The Chalk Garden. She brings an air of determination to the part, ready to fight her charge's corner but still hinting at the pain of her former life. Photograph from The Chalk Garden (1971) (1).

Olivia, Laurel's mother, who has remarried, arrives for a visit. The troubled pyromaniac teenager seems rather staid for a world that was set to rock around the clock in a '50s Britain about to be shaken by the Suez crisis. Written by Sussex-based playwright Enid Bagnold, set in a genteel country house where most of the cast are middle-aged (and older) and gardening is a central theme – there must have been a few heads nodding sagely at the description of the travails of planting in chalky soil. Przeczytaj pełną recenzję. When the Judge comes to the house for lunch, he reveals that he had sentenced Miss Madrigal to jail for murder. The story of the mysterious Miss Madrigal arriving at a country house to help nurture an army widow's disturbed grandaughter is a simple one. Is it a play about redemption and healing? The director was Alan Strachan. "Joan Greenwood plays Miss Madrigal in Haymarket revival". [25] In The Observer, Kenneth Tynan commented that The Chalk Garden "may well be the finest artificial comedy to have flowed from an English (as opposed to an Irish) pen since the death of Congreve. An elderly woman hires a governess, Miss Madrigal (Deborah Kerr), with a mysterious past to look after her disturbed and spoiled teenage granddaughter Laurel (Hayley Mills), who has seen off many previous governesses. [3], The film was announced in May 1962. "'Chalk Garden' Fascinating". [18], A 1964 film adaptation featured Edith Evans as Mrs St Maugham, Deborah Kerr as Miss Madrigal, Hayley Mills as Laurel, and John Mills as Maitland. Mrs St Maugham lives in her country house in a village in Sussex, where the garden is on lime and chalk, making it difficult for her to succeed in her determined but incompetent efforts as a gardener. It ran for 182 performances. View our Privacy Policy.

Programme from The Chalk Garden (1971) at the Richmond Theatre, London (1). Created with Sketch. [24], When the play opened in London, Philip Hope-Wallace wrote in The Manchester Guardian of experiencing "a unique theatrical pleasure" at Edith Evans's performance, invoked Chekhov's The Seagull and called the piece "a woman's play in the very best sense, being laconic, compassionate and wonderfully gay-hearted". by Enid Bagnold Get the script. [1] The piece was taken up by the American producer Irene Selznick, who proposed a Broadway premiere. "The Garden's blooming marvellous". [10] Cooper and Greenwood reprised their roles in the play's first West End revival, in 1971 at the Haymarket, directed by William Chappell, with Michael Goodliffe as the Judge and Peter Bayliss as Maitland. The play tells the story of Mrs. St. Maugham and her granddaughter Laurel, a disturbed child under the care of Miss Madrigal, a governess. Brooks Atkinson wrote in The New York Times: In The Daily News John Chapman called it "A tantalizing, fascinating and stimulating piece of theatre … the most literate and sophisticated" of recent plays. The New York Times wrote, "a GREAT deal of scrupulous cultivation and orderly shaping of the plot have been done to make a film of...Enid Bagnold's eccentric British play...the tangle of its arrangement and the overgrowth of its characters have all been trimmed and weeded by some prudent and skillful hands to make the bright, sweet and aromatic picture that opened at the Music Hall yesterday...Ronald Neame, who has directed the picture, and John Michael Hayes, who has written the script, present us with a cozy…

Revived to acclaim on the West End in 2008, this psychological chamber piece explores the secret world of childhood through the prism of a dyed-in-the-wool British dowager Mrs. St. Maugham and her precocious and equally eccentric granddaughter Laurel. Mrs St Maugham is a selfish, eccentric paragon of privilege who spends her days gardening but can't make anything grow."[28].

Play by Enid Bagnold that premiered on Broadway in 1955. Also in the household is a valet, Maitland, who has just been released from a five-year sentence in prison. It reads well and has more atmosphere than the movie. [23] Walter Kerr of the New York Herald Tribune wrote, "I can't quite remember any other occasion in the theater when I so resisted a first act only to wind up at the end of the third wishing there were a fourth". Both actors sign on the cast page of an Ethel Barrymore Theatre production.

Hepple, Peter.

7f, 2m. Brooks Atkinson wrote in The New York Times: In The Daily News John Chapman called it "A tantalizing, fascinating and stimulating piece of theatre … the most literate and sophisticated" of recent plays. She found the play challenging and tantalising – "I am haunted by its gossamer flashes of poetry and beauty" – but lacking in focus. New York Times 16 May 1962: 33. In 1960, Hunter said he had the rights to the play, having "forced the studio to buy it". Play that I had to read after seeing the 1950/60s movie. [3], Selznick engaged George Cukor to direct; he took the play through its rehearsals and out-of-town previews, but handed over to Albert Marre before the Broadway premiere. Laurel feels intense jealousy and resentment of her beautiful mother who lives elsewhere with her new husband, and has been taught by her Grandmother to hate her mother. He worked with the writer to make it "more commercial".

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