[email protected] all the liberals who present the fact that it’s “fake” or “not a documentary,” as if they found the smoking gun. A few years later, Jomo Kenyatta pardoned the Mau Mau. It made an enduring impression on me and strengthened my commitment to white Africa even though such views were unpopular. First they'd show you something very beautiful and majestic, while you're enjoying the scene suddenly they'd cut it and show you images that would gross you out for 3 years. I’ve seen bad “Art” films but that one took the cake.

Instead, consider the fact that the trailer already has more than 800,000 views since it was uploaded on June 18. Get the freshest reviews, news, and more delivered right to your inbox!

C. Douglas Golden is a writer who splits his time between the United States and Southeast Asia. An honorable and worthy endeavor, even when wasted on dolts, such as myself. None, in fact.

1970 United States theatrical release poster, bearing the title, Allegations of staging and inauthenticity, See the interview with Jacopetti from 1988, reprinted Amok Journal: Sensurround Edition, edited by S. Swezey (Los Angeles: AMOK, 1995), pp. "Africa Addio" is a brutal, dishonest, racist film.

Instead, it’s reciprocity. Despite these rather questionable sides “Addio Africa”‘s documentary value on the other hand is great and revealing in many respects, and any idiot who thinks that Evil Whitey had to leave Africa to make it a pre-colonial paradise again should watch it. The movie definitely belongs in the Red Pill Collection. “Europe has abandoned her baby,” the narrator mourns, “just when it needs her the most.” Who has taken over, now that the colonialists have left? Yet here it was being presented as gospel truth in a supposedly reputable documentary. And why, in the name of all that is holy, are we allowing these people to colonize us today? The film shows clips of revolutions in Zanzibar and Kenya in which thousands were killed. | Fresh (1) It seems unreal. Probably not. “A freedom march in reverse,” the narrator explains. He also appears to be very white. Finally, blacks are just a pack of worthless nigger animals who fuck up everything they touch and will destroy your way of life and eventually your entire racial existence. It is, to be blunt, evil — and an evil very much of this particular time and place in history. I’ve had this on DVD for years, I guess I should finally watch it at some point. We never belonged there. Coming Soon, Regal You're almost there! A group of car crash fetishists??? And Ebert is right to assume that this stuff WAS staged for the camera. As for the content: the colonial worlds created by whites as well as the results of the African takeovers seem equally surreal.

We cut from disciplined and well-dressed British soldiers to clownish, shambling African troops and policemen. At this point, I feel more animus toward the white regime forcing my back against the wall than I do against blacks. The percentage of Approved Tomatometer Critics who have given this movie a positive review.

Take the scenes with the animal slaughter… at one time the movie makes you feel bad about this useless, vain carnage, and you could interpretate it as some kind of “green” message, on the other side this was of course another way to feed the audience hungry for blood, bread and games. Riz Ortolani’s lush Morricone-like music, as well as the magic of Italian dubbing, reinforce this impression. Where White people stand up and fight for themselves, Africans fall into line.

I’ve only seen the first few minutes. It claims to be a documentary of what has happened in Africa since colonialism ended. Some of the footage, notably aerial shots of the Arab massacre in Zanzibar, is doubtless truthful.

The first thirty minutes focus mostly on Kenya. Sign up here. Many of the troops serving in the Portuguese colonial army were Africans (as was the case in Rhodesia and SW Africa).

One dubious scene shows white Boers purportedly leaving Kenya in cattle-drawn wagons for the long trek back to the Cape. and to receive email from Rotten Tomatoes and Fandango. | Rating: 2/5, February 24, 2004

It’s making a film that shows white people as slaves, that shows white people being raped by black slaveowners and with nooses around their necks. If approved, it will appear here soon. The advertising spells it out for us: "Raw, wild, brutal, modern-day savages!". Now, this can be justified from a filmmaker’s p.o.v.

At the end of the day, it’s all about influence.

I don’t even know what to think. It’s brilliant on these subjects. The white farmers of the Kenya highlands are forced to sell. It’s surprising it’s still on YouTube, inasmuch as it contains a scene obviously meant to imply simulated rape that has to violate some term of service. In modern parlance, I got red-pilled. It’s almost unbearable. Then literally people getting circled to be killed. The continent which stood as a British colony for centuries was, in part, being reluctantly handed back to the African people. “Africa Addio” is a brutal, dishonest, racist film. We then see the dangling feet of a lynched white man, a scene in which the neo-Nazi is sold on the auction block, and a shot of him with a noose around his neck. The aftermath is sickening. But all of it appears to be real. A few days later, the mission has been burned to the ground. I guess there were many such massacres. Other scenes are equally preposterous. It is the most brilliant documentary. We never belonged there.”. In other words, this talk about “our breath,” “our daughters” and “our freedom” certainly has some positionality issues, even if this is just a guy trying to make a quick buck off of some shock. Erik Nordman: You slander the Godfather of Soul. It seems pretty clear that the elephant died for our entertainment. We want to hear what you have to say but need to verify your account. They had more appreciation for White rule than does your average sh*tlib or cuckservative today. Copyright © Fandango. It seems that genocide is part of every Communist revolutionary playbook. But the most sickening spectacle is of thousands of blacks cordoning off huge areas and killing everything that moves by chucking spears at them. It slanders a continent and at the same time diminishes the human spirit. I could hardly believe my ears. “I’ve had this on DVD for years, I guess I should finally watch it at some point. If only they were honestly presented, set in context, perhaps they could be justified. I saw it as a schoolboy when such movies were still shown in mainstream cinemas. Please keep all discussions in the comments civil and respectful.

Thanks for the tip. “The film begins with a scene familiar from a dozen newsreels: A British colonial governor boards a launch and is taken to an offshore ship. No hint of anything but disaster, however, is given in this film by the makers of “Mondo Cane. Then we get to the part that has to violate some term of service: A scene that clearly intimates a white woman is being raped that depicts far more of the act than one is prepared for.

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